Search results

1

Псевдонимы русских анархистов и отсутствующие имена

100%

Martynov M.

Przegląd Wschodnioeuropejski

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2016

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vol. 2

245-256

EN

The subject of this paper is the pseudonyms of the Russian anarchists. Some groups of anarchist pseudonyms are analyzed and their connection with the anarchical outlo- ok is shown. Special attention is paid to the anarchist practice of refusal of a name. The author shows that anonymity in Russian anarchism can be found in the most different conte- xts, and it is understood not as impersonality, but as a symbol of resistance to authority. The material for the research include the pseudonyms of modem anarchists, whose texts are widely submitted on the Internet.

2

English, French, and Polish Aliases of Criminals: Diversity of Inspirations in their Creation and Typical Nicknaming Schemes

100%

Golda P., Mężyk J.

Academic Journal of Modern Philology

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2021

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issue 14

173–200

EN

The present paper examines the topic of aliases of criminals, which seems to be understudied in linguistic research. Therefore, this article’s primary goal is to describe how criminals’ aliases are created and what are the differences and similarities in that process in English, French, and Polish. Firstly, the theoretical background concerning the topic of pseudonyms is presented. Then, the corpus gathered for this paper (available online: https://cutt. ly/1TRefrK), consisting of 206 pseudonyms (123 units in English, 42 in French, and 41 in Polish), is analyzed. In the analysis, four schemes are noted to be the most commonly used in creating pseudonyms of criminals. What is more, the inspirations behind the creation of criminals’ pseudonyms are scrutinized, and nine typical inspirations are distinguished. The article constitutes not only a detailed linguistic analysis of a significant number of criminals’ aliases but can also serve as an inspiration for other research on the topic.

3

ПСЕВДОНІМ У СИСТЕМІ ОНІМІВ: ЙОГО СТАТУС, ТИПИ Й ФУНКЦІЇ (аналіз особливостей творення псевдонімів сучасних українських письменників)

94%

Janczura D.

Studia Ukrainica Posnaniensia

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2019

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vol. 7

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issue 1

115-121

EN

The article focuses on the investigation history of pseudonyms as one of the category, which is singled out among proper names. The multiaspect pseudonym classifi cations in Ukrainian linguistics and the defi nition of their linguistic status have been described. The interpretation of the pseudonym formation mechanism by modern Ukrainian writers have been suggested; the functions of pseudonyms in the Ukrainian language space have been analyzed; the correspondent tendencies have been singled out; the research perspectives have been determined.

PL

Artykuł poświęcony jest historii badań nad pseudonimami jakо jednym z podtypów nazw własnych. Opisano szeroko stosowaną w ukraińskim językoznawstwie wieloaspektową klasyfi kację pseudonimów oraz interpretację ich statusu językowego. Zaproponowano interpretację mechanizmów tworzenia pseudonimów wybranych współczesnych pisarzy ukraińskich oraz ich funkcje w dzisiejszej przestrzeni języka ukraińskiego. Nakreślono zasadnicze tendencje, wyznaczono perspektywę badań.

4

Nazwy maskujące w emigracyjnych listach Joachima Lelewela pisanych do przyjaciół i znajomych

67%

Jaros V.

Język Polski

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2017

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vol. 97

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issue 3

76-86

PL

Przedmiotem artykułu są nazwy maskujące odnoszące się do antroponimów, socjoideonimów oraz toponimów, wyekscerpowane z korespondencji emigracyjnej Joachima Lelewela. Analizowane nazwy maskujące mają zasadniczo motywację polityczno-społeczną. Niekiedy użycia pewnych typów określeń (głównie literonimów i sylabonimów) mogą być podyktowane ekonomią językową. Tworzywem językowym utajnionych propriów są nazwy własne i pospolite. Mechanizmy nazwotwórcze obejmują relacje: nazwa – nazwa oraz nazwa – desygnat. Do najczęściej reprezentowanych nazw tajnych należą kryptonimy, a spośród nich skrótowce. Wśród zamaskowanych nazw własnych wyraźnie dominują pseudonimy, w których funkcji występują imiona, nazwiska, przezwiska, etnonimy, toponimy i apelatywy.

EN

The topic of this paper are masking names referring to anthroponyms, social ideonyms, and also toponyms excerpted from Joachim Lelewel’s emigrational correspondence. The use of the masking names being analysed is principally motivated by political and social circumstances. Sometimes, the use of certain types of terms (mainly initials and syllabonyms) may be determined by the economy of language. The language material of the concealed propria are proper and common nouns. Name‐making mechanisms include relations between a name and a name, and also a name and a designate. The secret names encountered most frequently are cryptonyms, including acronyms. Among the masked proper nouns, pseudonyms (this function is fulfilled by names, surnames, nicknames, ethnonyms, toponyms and appelatives) are clearly dominant.

5

Przezwiska i pseudonimy sportowców

67%

Kojder M., Koper M.

Prace Językoznawcze

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2016

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issue XVIII/3

EN

The authors present a selection of sportspersons' nicknames and pseudonyms used in the Polish and European media. The onomastic material was excerpted from the press, radio, television and the Internet. Dozens of personal names of Polish and world sportspersons were collected and analysed. The material was taken from the texts in, among others, Polish, English, German and Spanish. This paper aims at a typology of sportspersons' nicknames and pseudonyms and it constitutes an attempt to unveil the primary onomastic and language-systemic mechanisms behind such formations. Also, their semantic as well as structural-grammatical motivation is discussed.

6

Reflections of an Existential Crisis in Søren Kierkegaard’s Aesthetic Conception

67%

Andrijauskas A.

Dialogue and Universalism

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2019

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issue 2

29-41

EN

This article considers the principles of philosophical thinking in Søren Kierke- gaard’s nonclassical aesthetics. Special attention is given to his radical critique of “false” and “impersonal” rationalism. This does not only mean the rejection of the tradi- tional principles of classical metaphysics which claims “universality” and “universal meaning.” Kierkegaard also bases his philosophy on individual human life, or, in other words, personal existence with its unique inner world. His critique is more profound than that by Arthur Schopenhauer. Kierkegaard develops his own philosophy of “exi- stential crisis,” opposing subjective will and internal changes to abstract thinking and external influences. Kierkegaard’s works initiate the critical or nonclassical stage in Western aesthetics. The main place in it is occupied by the idea of the disharmony of the world: its subjective reflection is “split” consciousness that has lost contact with the traditional concepts of harmony, humanism, goodness, beauty and philosophy of art. His philosophy of art is that of the internal personal world and of free choice. He opposes the famous motto of Cartesian rationalism cogito ergo sum, his own statement “I am here and think because I do exist here.” So the notion of existence becomes fun- damental for his philosophical reflection which is focused on the topics of personal existence, destiny and perspectives of being. Since personal becoming never stops, the ability to exist is treated as a great art. The aim of genuine philosophy is not a knowled- ge of the external world but an inquiry into the deepest problems of personal being and creativity; its greatest enigma is existence. Hence Kierkegaard gives a new subject and new tasks to aesthetics and philosophy of art. When treating the problems of individual human existence, Kierkegaard and other followers of nonclassical aesthetics relied on an understanding of being as non- substantial (personality is not something given but a totality of constantly emerging potentials) and at the same time subjectivized their ontological problems. Thus the stre- ngthening of subjectivist tendencies in the post-Hegelian philosophy of art reaches here culmination. “Subjective ontology,” or “ontology” in the narrow sense of the word, is that which we can call the “pontaneous ego:” It determines the unconscious functioning of human “existence” in a specific individual consciousness. The whole individual exi- stence is enclosed, as it were, in a subjective environment, but we cannot affirm that existence is subjective.

7

Polskojęzyczny wiersz Kraków Adeli z Ustronia jako klucz do ustalenia autorstwa poematu Macocha

51%

Багдановіч І.

Studia Białorutenistyczne

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2015

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vol. 9

EN

This article is the first literary analysis which shapes the specifics and means of poetics in the poem Krakow. The manuscript, in which the author used the pseudonym Adel, dates back to 1850. It was placed in the famous manuscript along with the well-known Belarusian anonymous poem Stepmom. The nature of artistic means used in the poem Krakow, suggests, that the real author of this work is the well-known writer Gabriel Puzynya (1815 – 1869). This conclusion confirms the author’s earlier statement that G. Puzynya is the most likely the author of the Belarusian poem Stepmom.

PL

Artykuł prezentuje pionierską analizę literaturoznawczą środków wyrazu artystycznego i obrazowania poetyckiego wiersza Kraków, którego rękopis datowany na 1850 rok, podpisany pseudonimem Adela, został odnaleziony w jednej obwolucie z rękopisem znanego anonimowego poematu Macocha. Środki artystyczne wiersza Kraków, a także poematu Macocha potwierdzają tezę, że autorem obu utworów jest znana w owym czasie pisarka, Gabriela Puzynina (1815–1869).

RU

У артыкуле ўпершыню праводзіцца літаратуразнаўчы аналіз вобразнай спецыфікі і сродкаў паэтычнага майстэрства верша Krakow, рукапіс якога быў падпісаны псеўданімам Адэля, датаваны 1850 годам і змяшчаўся ў адным канвалюце з рукапісам вядомай ананімнай беларускай паэмы Мачаха. Характар мастацкіх сродкаў, выкарыстаных у вершы Кракаў, дазваляе меркаваць, што яго аўтарам з’яўляецца вядомая на той час пісьменніца Габрыэля Пузыня (1815–1869). Такая акалічнасць дадаткова абгрунтоўвае высунутае раней аўтарам дадзенага артыкула сцверджанне, што Г. Пузыня – найбольш верагодная аўтарка беларускай паэмы Мачаха.

8

Sich (k)einen Namen machen: Die Židovská jména der Honza K.

51%

Drubek N.

Slovo a smysl - Word & Sense

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2017

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vol. 14

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issue 28

51-73

XX

Even though the anthology Jewish Names, often called the beginning of Czech alternative culture, was published in 1995, several central questions concerning this seminal collection from the early 1950s remain unclear: Who initiated it, when was it assembled, and what is its connection with the causa of the ‘Trotzkyites’ in Prague and later anti-semitic show trials? Answers can be found if one appreciates the pivotal role of Honza Krejcarová in this unique project. The article connects dots between Czech history during the Protectorate when young Honza witnessed her mother Milena Jesenská’s resistance activities, and the late 1940s of Stalinist Czechoslovakia when the State Security started surveilling and persecuting Krejcarová. Based on archival studies the article argues for the parallelism between secret service practices (interrogation, the revealing of names in the form of denunciation) and automatic surrealist writing techniques. Drawing on the example of the name of the Author it analyses the paratextual structure of the anthology connected to its literary models, mainly from France. Jewish Names is a rich collection of fictitious ‘Jewish’ pseudonyms attributed to real Czech writers, stressing the vulnerability of the literary intelligentsia, their mineurité. And it is this paratextual construction which can be considered as the most daring and auto-referential aspect of this illegal publishing project. The article reveals problematic aspects of the chosen path of pseudonymy and anonymity. Changing or omitting one’s name is a common trait of female biographies, complicating the attribution of authorship. The article shows how pseudonymy takes its toll on an existential, gender, political, and historical level — precluding until today the proper names from entering Czech literary history.

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1 Academic Journal of Modern Philology

1 Dialogue and Universalism

1 Język Polski

1 Prace Językoznawcze

1 Przegląd Wschodnioeuropejski

1 Slovo a smysl - Word & Sense

1 Studia Białorutenistyczne

1 Studia Ukrainica Posnaniensia

1 Andrijauskas A.

1 Drubek N.

1 Golda P.

1 Janczura D.

1 Jaros V.

1 Kojder M.

1 Koper M.

1 Martynov M.

1 Mężyk J.

1 Багдановіч І.

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