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1

Antyk w prozie J. R. R. Tolkiena

100%
Piętka R.
Symbolae Philologorum Posnaniensium Graecae et Latinae
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2011
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vol. 21
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issue 1
95-117
EN
The article tends to analyse the problems concerning the reception of classical texts and ideas in twentieth century, using as an example the prose works of J. R. R. Tolkien. Tolkiens’s oeuvre and its problematic relationships with classical tradition serve in this paper as an illustration of the diverse approaches, methods, and styles of lecture concerning the nature of literary allusivity. As a point of departure in the paper has been taken the reflection on the common phrase about “antiquity in something” deployed broadly in the reception studies. The questions raised here are as follows: what does precisely “in” mean in that metaphor? Or, to put in more general terms, when an allusion to another text can be treated as an inherent part of interpretation? Answer to these questions was possible due to Umberto Eco’s statements in the well-known dispute relating to the interpretation and overinterpretation; in conclusion the author was trying to show that Eco’s criterion of textual economy in interpretation justifies somehow (in author’s opinion) the new look on the essential Tolkien’s symbol, i.e. the ring of power, as a symbol of the Roman imperial rule. This means (in the context of the translatio imperii and cultural change from pagan to Christian empire) that ‘The Lord of the Rings’ can be seen in a way as a novelistic version of Augustine’s ‘The City of God’
2

Shakespow

100%
Hoenselaars T.
Linguaculture
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2010
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vol. 2010
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issue 2
67-82
EN
In my paper, I look at the reception of Shakespeare in wartime, under circumstances that challenge and foreground the notion of national borders and territories within Europe. By looking at several Shakespeare cults during the Great War, I seek to illustrate how notions of the nation and of Europe are variable, and with it the concept of “European Shakespeare.”
3
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Some Current Trends and Research Possibilities in the Audiovisual Translation of the 2020s

75%
Hrabčáková A.
Language. Culture. Politics. International Journal
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2023
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vol. 1
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issue 1
49-61
EN
This overview article explores some of the current trends and research possibilities in audiovisual translation which is a rapidly growing eld of translation studies due to the increased demand for audiovisual content in the era of technology. It briefly describes audience-oriented studies and research possibilities regarding humour perception and eye tracking with a special focus on making audiovisual content available to hearing and visually impaired audience. Moreover, it outlines collaborative translation and crowdsourcing along with fansubbing and fandubbing as a popular forms of nonprofessional practice. The article also discusses the employment of the machine, neural machine and speech translation to audiovisual or media content.
4

Plutarch in the galaxy of new media. Mechanisms of reception

75%
Dominas K.
Classica Cracoviensia
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2015
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issue 18
151-170
EN
The aim of this article is to present the most important mechanisms of appearance Plutarch’s texts on the Internet. The author, referring to the scale-free network theory, identifies three overlapping each other spaces of reception: ancient literature, literature and popular culture, new media. The last one represents in the frame of Lev Manovich, whose book The language of new media complements Henry Jenkins in the concept of Convergence Culture.
5
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Rimbaudysta Julian T., Tuwim od łobuzów, Tuwim dla dzieci

71%
Kuczyńska-Koschany K.
Porównania
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2019
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vol. 25
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issue 2
317-340
EN
Julian Tuwim (1894-1953) was a studier of Rimbaud in numerous ways: he read Jean Arthur Rimbaud (1854-1891) and translated his poems. He knew his poetry by heart and recited it. He worshiped the French poet and he visited his grave in Charleville and left him a bunch of red roses. He considered Rimbaud the greatest poet of all. Tuwim, probably, in the most interesting fashion assimilated and smuggled Rimbaud into his own poetry, at all its levels. Tuwim and Rimbaud are connected by what might be called the childishness of the poetic imagination. Both of them are literary rogues who are characterised by their creative disinvolture.Both of them advocate anarchy at a high artistic level.
PL
Julian Tuwim (1894-1953) był rimbaudystą na różne sposoby: czytał Jeana Arthura Rimbauda (1854-1891) i tłumaczył jego wiersze; znał je na pamięć i recytował; wielbił francuskiego poetę – odwiedził jego grób w Charleville z pękiem czerwonych róż, uważał go za największego poetę świata. Najciekawiej, być może, przyswajał i przemycał Rimbauda we własnej twórczości, na wszystkich jej poziomach. Tuwima i Rimbauda łączy to, co można by nazwać dziecięcością wyobraźni (poetyckiej), obydwaj są łobuzami literatury, twórcza dezynwoltura spokrewnia ich w wielu miejscach. Obydwaj anarchizują na wysokim poziomie artystycznym.
6

De Poolse Hercules. Romeyn de Hooghe en de Nederlandse receptie van Jan III Sobieski voorafgaand aan het Ontzet van Wenen

63%
Hulsenboom P.
Neerlandica Wratislaviensia
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2019
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vol. 29
87-109
EN
This paper explores the Dutch perceptions of the Polish king John III Sobieski before his famous victory over the Turks at the 1683 Battle of Vienna. Sobieski’s military triumphs and rise to power in the 1670s elicited various favourable responses from the Dutch Republic, most notably several prints by the etcher and engraver Romeyn de Hooghe. His prints laid the foundation for Sobieski’s image as a great European and Christian military leader, but also a specifically Polish and Catholic hero. Sobieski’s war efforts and the image formed of him by De Hooghe cohered with the negative Dutch perceptions of the Turks, as well as with Poland-Lithuania’s reputation as a bulwark of Christendom. The countless glorifying prints, poems and other European responses to Sobieski after his victory at Vienna were in many cases inspired by the image of the Polish monarch created in the Northern Netherlands during the 1670s.
7
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O sofistyce współczesnego dyskursu humanistycznego - tradycje, postkolonialne uwikłania, konsekwencje

54%
Skwara M., Skwara M.
Porównania
|
2014
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vol. 15
45-74
EN
The aim of the article is an analysis of a contemporary humanistic Polish discourse in which three elements play specific roles: a postcolonial condition, the third sophistry and the ideological background of the communist system. A soft switch from “old” Marxist theses to “modern” relativism, and, in a broader sense, to postmodernism became possible inter alia due to the reception of American neopragmatism, especially Stanley Fish’s and Richard Rorty’s ethical views. The third sophistry (a modern version of the first sophistry represented by Gorgias and Protagoras) delivered helpful language tools for a description of the world which became relativistic. The authors of the article propose a thesis that the heritage of the Soviet colonialism resulted in such a version of postmodern Polish discourse that is based on manipulations dating back to Stalinism. The new system and new ideology have made use of the old tricks that are still deeply rooted in the mentality of the participants of the public debate in Poland.
PL
Celem artykułu jest analiza współczesnego dyskursu humanistycznego w Polsce, w którym szczególną rolę odgrywają: kondycja postkolonialna, trzecia sofistyka i zaplecze ideologiczne systemu komunistycznego. Miękkie przejścia od „starych” tez marksistowskich do „współczesnego” relatywizmu i, szerzej, postmodernizmu było możliwe między innym dzięki recepcji amerykańskiego neopragmatyzmu, a zwłaszcza poglądów etycznych Stanleya Fisha i Richarda Rorty’ego. Narzędzi językowych pomocnych w opisie zrelatywizowanego świata dostarczyła trzecia sofistyka (czyli współczesna wersja pierwszej sofistyki greckiej reprezentowanej przez Gorgiasza, czy Protogorasa). Autorzy stawiają tezę, że dziedzictwo sowieckiego kolonializmu sprawiło, iż ponowoczesny dyskurs polski zasadza się na manipulacjach wywodzących się z czasów stalinizmu. Nowy system i nowa ideologia wykorzystują stare chwyty wciąż głęboko tkwiące w świadomości uczestników publicznej debaty w Polsce.
8

Melancholia, choroba, szaleństwo – kompleks staropolskiego poety metafizycznego: idee, inspiracje, motywy, postawy (Melancholia, disease, madness – the complex of Old Polish metaphysical poet: ideas, inspirations, motifs, attitudes).

51%
Fischer J.
Symbolae Philologorum Posnaniensium Graecae et Latinae
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2013
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vol. 23
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issue 2
171-190
PL
This article tends to analyse the problems concerning the reception of ancient theory of melancholia, especially in renaissance and early Baroque literary studies. The melancholia as disease, habit, fear, cognition, meditation, inspiration and sin, is also very inspiring idea, allowing to understand the essence of Old Polish metaphysical poetry, in particular the complex of metaphysical poet – his behaviour, reasons, inspirations and attitudes.
9
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Wstęp. Dlaczego tłumaczymy? Od sprawczości po recepcję przekładu

51%
Majdzik-Papić K.
Przekłady Literatur Słowiańskich
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2019
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vol. 9
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issue 2
5-10
PL
Tom 9. część 2 czasopisma „Przekłady Literatur Słowiańskich” poświęcony jest szeroko rozumianej celowości przekładu i stanowi kontynuację rozważań podjętych w poprzednim numerze czasopisma. W zebranych w nim rozprawach podjęto refleksję nad problemem sprawczości aktorów translacji (tłumaczy i autorów), roli instytucji w procesie przekładu, kwestii recepcji dzieł tłumaczonych oraz celowości tłumaczenia w kontekście badań nad regionalizmem i wielokulturowością. Tom podzielony został na trzy części problemowe. Pierwsza jest poświęcona instytucjonalnemu i recepcyjnemu wymiarowi przekładu (Anna Majkiewicz, Anita Gostomska, Regina Solová). Druga część gromadzi artykuły poświęcone dwóm przenikającym się kompleksom problemowym — zjawiskom regionalizmu i wielokulturowości rozpatrywanym w kontekście przekładu (Karolina Pospiszil, Hanna Makurat-Snuzik, Silvija Borovnik, Jakob Altmann). Natomiast trzecia część prezentowanego tomu poświęcona jest autorowi, który na rozmaite sposoby wpływa na tekst przekładu: zostawiając w tekście oryginału ślady swojej obecności i aktywności, formułując własną „teorię translacji”, czy wreszcie samemu wchodząc w rolę tłumacza (Wojciech Soliński, Joanna Derdowska, Aleksander Gomola, Amela Ljevo-Ovčina). Autorami zamieszczonych w tomie artykułów są badacze przekładu z Polski i zagranicy, a teksty dotyczą zarówno przekładów literatur słowiańskich, jak i niesłowiańskich w ramach rozmaitych języków i etnolektów (angielski, bośniacki, chorwacki, czeski, kaszubski, niemiecki, polski, rosyjski, śląski). Tom adresowany jest do literaturoznawców, przekładoznawców oraz komparatystów (naukowców, krytyków, studentów).
EN
Issue 9.2 of the journal „Translations of Slavic Literatures” is devoted to the broadly understood problem of the purpose of translation and is a continuation of the previous issue. The collected works consider the problem of the agency of the main actors of translation (as translators and authors), the role of the various institutions in the process of translation, the question of the reception of the translated works, as well as the purpose of translation in the context of regionalism and multiculturalism. The issue has been divided into three problem parts. The first one is devoted to the institutional and receptive dimensions of translation (Anna Majkiewicz, Anita Gostomska, Regina Solová). The second part gathers articles devoted to two interpenetrating complexes of problems - the phenomena of regionalism and multiculturalism considered in the context of translation (Karolina Pospiszil, Hanna Makurat-Snuzik, Silvija Borovnik, Jakob Altmann). Finally, the third part of the presented volume is devoted to the author who influences the text of the translation in various ways: leaving traces of his presence and activity in the original text, formulating his own "translation theory", and finally, becoming an interpreter of his own work (Wojciech Soliński, Joanna Derdowska, AleksanderGomola, Amela Ljevo-Ovčina). The authors of the articles collected in this issue are translation researchers from Poland and abroad, and the works deal with translations of both Slavonic and non-Slavonic literatures within various languages and ethnolects (i.e. English, Croatian, Czech, French, German, Polish, Slovenian, Silesian, Kashubian). Furthermore, issue 9.2 of the journal „Translations of Slavic Literatures” is dedicated to literary and translation theorists, as well as comparatists (scientists, critics, students).
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