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Przekład jako narzędzie propagandy. Miesięcznik „Polska: czasopismo ilustrowane” w latach 1954—1956

100%
Solová R.
Przekłady Literatur Słowiańskich
|
2019
|
vol. 9
|
issue 2
55-76
EN
The monthly Poland: Illustrated Magazine was published (with an interruption) from 1954 to 1999. In the period under analysis (1954—1956), apart from its Polish version, the magazine was also published in English, French, Spanish, German, and Russian. The periodical was a product of the export circulation of cultural goods, the aim of which was to export translations of texts published in the country and those specifically intended for foreign readers. The initial task of the monthly was to shape the image of socialist Poland abroad. Through an analysis of texts intended for export, we examine how the monthly was used for propaganda purposes in the years making to the end of Stalinism and the beginning of “the thaw” in Poland.
FR
Le mensuel « la Pologne : revue mensuelle » a été publié (avec une interruption) de 1954 à 1999. Pendant la période étudiée (1954—1956), outre la version polonaise, la revue est parue en cinq langues étrangères : anglais, français, espagnol, allemand et russe. Selon la typologie de Ioana Popa relative à la circulation des textes pendant la guerre froide, « Polska » se laisse classifier dans le « circuit d’exportation » de « l’espace réglementé », qui englobe les traductions publiées dans le pays d’origine en vue d’une diffusion à l’étranger, indépendamment de la demande des pays destinataires, mais dans le respect de la politique culturelle extérieure du pays d’origine. À ses débuts, le mensuel avait pour objectif d’imposer une certaine image de la Pologne socialiste à l’étranger. l’analyse du contenu de la revue permet d’étudier l’usage du mensuel à des fins de propagande vers la fin de l’époque du stalinisme et pendant la période du dégel polonais de 1956.
2
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Termes politiquement marqués comme mots à statut de quasi-terme : « Ziemie Odzyskane » / « Les Territoires recouvrés » dans une perspective diachronique

100%
Solová R.
Academic Journal of Modern Philology
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2021
|
issue 13
303-314
EN
This contribution is part of the reflection on the connections between language, politics and science and presents a case study on the use of the Polish name “Ziemie Odzyskane” or “ZO” (“Recovered Lands”) and its French version, “Les Territoires recouvrés,” in texts written in those languages. Its aim is to examine whether the name “ZO”, introduced into official discourse by an authoritarian regime, can gain the status of a quasi-term. The study consists of the following three parts: 1) analysis of the political marking of the name “ZO” through the prism of typical features of the Polish newspeak; 2) study of the Polish researchers’ comments about the name “ZO”; 3) preliminary analysis of a sample of French equivalents of the name “ZO” collected in scientific texts. These three steps of the analysis make it possible to understand the term-making process of the name “ZO,” as an unambiguous unit (referring to the former German territories attached to Poland after the 1945 Potsdam agreements) whose use, however, is often accompanied by metatextual markers. The researchers’ distancing from the name “ZO,” shown in the texts by inverted commas or comments, indicates that it can be treated as a quasi-term in the context of linguistic and terminological studies.
3
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Le « réalisme magique » de Prawiek i inne czasy d’Olga Tokarczuk filtré par la traduction. Étude comparative des traductions tchèque, française et espagnole

51%
Skibińska E., Solová R., Wesoła J.
Między Oryginałem a Przekładem
|
2017
|
vol. 35
83-112
EN
“Magical realism” in Prawiek i inne czasy has been noticed very quickly by the critics of Olga Tokarczuk’s novel. If some typically Polish elements can be observed in the text’s composition, other “ingredients,” more universal, also appear, but they are “polonised,” if only due to the Polish language of the novel. When comparing an original passage (the chapter Czas Topielca Pluszcza), which contains Slavic mythological elements linked with water, with its translations into Czech, French and Spanish, it appears that “national fantastic” features create differences which enlarge with geographical and cultural distance: the Czech version does not contain many shifts compared with the original, while the French and Spanish versions bring about cultural alterity effects. These, however, should not be considered as an obstacle to the reading.
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