Search results

1

Postać celebrytki w operze: rozwiązła księżna i króliczek „Playboya”

100%

Bogucki M.

Poznańskie Studia Polonistyczne. Seria Literacka

|

2022

|

issue 42

229-248

EN

The aim of the article is to analyse two British contemporary operas: Thomas Adès’s Powder Her Face and Mark Anthony Turnage’s Anna Nicole from the perspective of celebrity studies. Both of these works were inspired by the biographies of celebrities – Margaret Campbell, Duchess of Argyll’s and Anna Nicole Smith’s. The text analyses how their biographies were edited both in literary and musical terms, attempting to determine to what extent they are either pioneering or embedded in the traditions of the opera.

2

Celebrytyzacja polityki – politycy i ich rodziny w „Twoim Stylu” i „Vivie”

100%

Olczyk T.

Media – Kultura – Komunikacja Społeczna

|

2013

|

issue 9

23-37

EN

This article describes the main trends in political celebrity in the “tabloid” press. The analysis is based on articles about politicians and their families published in “Twój Styl” and “Viva” from the first editions of these magazines (“Twój Styl” from August, 1990, and „Viva” from January, 1997) until May, 2012. The paper presents: a number of articles about political celebrities, the names of the main characters, their gender, positions and party affiliations. The article proposes an operational definition of political celebrity and an empirically-grounded typology of political celebrities. The text describes the “transfer of fame” and celebrity in electoral communications.

3

Sukces typu instant – tożsamosc celebryty i celebutantki

88%

Mazurek-Lipka O.

Kultura-Społeczeństwo-Edukacja

|

2013

|

vol. 4

|

issue 2

165-184

EN

Article Instant success – the identity celebrty and celebutante characteristic phenomenon is an attempt to quick success of media, which as celebrity and celebutante are the product. World media is not enough that distorts reality, creating new quality and seeks to take control over the creation of the trends that will be imitated. Contemporary culture is the essence of the theory of instant acceleration. Once success won years, now it has to be fast and spectacular. All items should be at the highest level of living. They hope the excitement and satisfaction of curiosity , once implemented through a keyhole or a glass against the wall. Today, the media have taken over this role perfectly showing the viewer to a world that has so far been elusive. The result of such activities is the creation of a new type of well-known public gures – celebrity. This is a person famous for being famous. This article is an attempt to de ne the characteristics of the phenomenon of celebrity and distinction. Its derivative is celebutante – coming home from a famous young woman who was interested in their lifestyle media and audience. Yes celebutante as celebrities are famous for being famous as long as possible trying to be popular selling. The essence of this phenomenon is the selling of the media elements of his private life – images of important events, interviews concerning the private sphere or frequenting the red carpet. It is also lending his name to promote different products or services. However, both celebrities and celebutantki are an extremely important part of contemporary reality and also they have a huge impact on the life of an ordinary man – a participant of the media.

4

Holistic Model of Celebrity Endorsement in Political Marketing

88%

Mikuláš P.

Political Preferences

|

2016

|

issue 13

87-95

EN

The aim of the paper is to provide useful tools for integral look at the celebrity endorsement process in political marketing that results in a holistic concept. The need for its creation was initiated by several authors, highlighting the inadequacy of partial approaches and thus limited possibilities for application of the existing models. Today, the main shortcomings of existing concepts of the theory and research in the field of celebrity endorsement lie in its fragmentation and inconsistency. The proposed model, based on theoretical research, has the ambition to open a wider debate on the issue and to provide practical tools for better understanding of the phenomenon.

5

ATTITUDES TOWARDS DIFFERENT INFLUENCER CATEGORIES - EXPLORATION OF GENERATION Z

75%

SPÁLOVÁ L., MIKULÁŠ P., PÚCHOVSKÁ O.

Communication Today

|

2021

|

vol. 12

|

issue 1

44 - 61

EN

The issue of intersection of digital media and acquisition of forms of public awareness is still relatively new. This research study identifies cognitive aspects of subjective perception of different categories of influencers operating in the online environment. The aim is a more detailed explanation of the psychosemantic structure of the perception of selected domestic influencers in relation to the self-respondents and the brand, as this is where the promotional aspect of the researched topic is revealed. Theoretical starting points of the study accentuate the knowledge based on endorsement models of using celebrities in marketing communication, as well as on the concept of social psychology and persuasion. The elementary definition of the concept of influencers lies in the etymological analysis, which we supplement with the analysis of currently established scientific-professional approaches to the categorisation of influencers and also draw attention to a critical explanation of terms related to influencer marketing, such as opinion leader, brand ambassador, as well as the influencer itself. To identify social representation of celebrities and marketing communication in the semantic space of generation Z we applied a psychosemantic method of Semantic Choice Test. The results indicate a markedly positive self-concept of the studied cohort of Generation Z and its focus on professional application represented by the semantic proximity of two influencers (Sajfa and LucyPug). At the same time, significant distrust of politicians and political communication and a critical approach to the aggressive communication of political entities were identified.

6

„ZWYKŁY” CZŁOWIEK A WSPÓŁCZESNA PRASA MASOWA

75%

Białek-Szwed O.

Zeszyty Naukowe KUL

|

2015

|

vol. 58

|

issue 2

3-12

EN

In the article the author thinks about the paradigm of a so called every man. She tries to define an every man and how he is perceived by contemporary printing mass media. The aspect of an every man is examined on a number of levels: Firstly, it is the creation of „naturszczyki” or „naturalsi” as they were referred to by Wiesław Godzic i.e. artificially created celebrities, for example participants of popular reality shows. Secondly, problems of genuinely average, volnurable people such as the unemployed, single mothers or residents of downtown districts etc. Finally, extraordinarily “normal” daily life of celebrities.

PL

W artykule autorka zastanawia się nad paradygmatem tzw. zwykłego człowieka. Próbuje ustalić – kim on jest, oraz jak widzą go współczesne drukowane media masowe. „Zwykłość” człowieka w mediach rozpatrywana jest w kilku aspektach: Po pierwsze, kreacji bohaterów „naturszczyków”, „naturalsów”, jak pisał o nich Wiesław Godzic, czyli sztucznie wykreowanych gwiazd, np. uczestników popularnych telewizyjnych reality show lub postaci pojawiających się w artykułach drukowanych w tabloidach. Po drugie, problemów prawdziwych „zwykłych” ludzi, np. bezrobotnych, mieszkańców wielkich blokowisk, samotnych matek itp. Po trzecie, niezwykła „zwykłość” dnia codziennego celebrytów.

7

„Król popu nie żyje! Zapraszamy Państwa na spektakl”. Śmierć i umieranie w kulturze celebrytów

75%

Ogonowska A.

Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

|

2010

|

issue 1

135-145

EN

The subject matter of this article includes the beginning of Michael Jackson’s career, his presence in the media, the strategies of creating his public identity as a pop-culture star and a celebrity, his significance in the pop music and the modern pop culture, the strategies of the star’s “struggling” with fame and his fans’ expectations, and the issue of “Jackson” being a product of culture, which continues to exist and develop even after the death of the real person.

8

Celebryci i ich medialna moralność

75%

Guzek D.

Studia Socialia Cracoviensia

|

2012

|

vol. 4

|

issue 2

EN

The article aims in arranging the discourse concerning the celebrities’ morality that is visible in their behaviour which is made public by mass media. It indicates the problematic reasons and consequences of this phenomena. The text concentrates on the priority of profit in the promotion mechanism: “morality of the celebrities”. The narration is derived from the notion of “celebrity” and develops into approximating of possible understanding of morality connected with celebrities’ views – it qualifies the opinions on the level of situation- based existential ethics. On the example of a fragment of breakfast television programme: Dzień Dobry TVN, the article depicts difficulties with grasping the core of this moral orientation. Afterwards, the article discusses a problem of media influence and, consequently, the celebrities’ influence on the recipients. It shows a scheme of profit-oriented media creation of celebrities and the way in which they state moral issues.

9

Niekończące się śniadanie. Telewizja jako hipertekst

75%

Kozłowski T.

Kultura i Edukacja

|

2015

|

issue 3(109)

11-26

EN

The present article concerns the issue of transferring practices typical for the Internet hypertext onto the ground of TV media. Evolution of TV transfer is characterized by increasing tendency to “downlink” other places in the info-sphere, placing references to numerous previews, pointing out other sources. All this contributes to the fact that TV may be perceived as next - apart from the Internet - medium of network nature. A substantial part in this process is played by the celebrities, who constitute a kind of core, around which all remaining elements of medial network are arranged. However, the process of “networking” TV is far more than purely marketing strategy of creating the most attractive message possible. It constitutes the reflection of the way human brain works, which prefers the analysis of cut and separated, out-of-context messages to longer and more subtle ones.

10

Johannes Paul II. – Papst der Medien. Eine Pastoral-Theologische Reflexion

63%

Celary I.

Studia Pastoralne

|

2019

|

vol. 15

152-166

EN

John Paul II can certainly be considered an outstanding personality of our time, not merely due to the long duration of his pontificate. He was the first roman pontifex – during the age of mass media – who reached out to the whole world personally, including dissenters as well as infidels. We present here a pastoral-theological review reflecting on the media presence of the deceased pontifex John Paul II, highlighting different aspects of its papacy and providing a theological interpretation. John Paul II didn’t intend to reshape papacy, but did point to different aspects of it. We’d like to assess the changes which resulted from his massive presence in the media additionally to presenting insights in what way the distinct features of his outward appearance in the media can contribute today to make “church as a universal sign” more or less experienceable. The pope from Poland made use of the media like no other pontifex before him leading to the large media attention he received at the end of his life which is unparalleled in history of the Holy See. He enjoyed great appearances and was even selected “Man Of The Year” by Time magazine in 1995.

11

Męskość w wersji „pop”, czyli jaki jest współczesny mężczyzna celebryta? Studium przypadku

63%

Piotrowska A.

Dyskursy Młodych Andragogów / Adult Education Discourses

|

2015

|

vol. 16

339-352

EN

The article treats of the problems related to the existence of celebrity (fame). The case of celebrity in the pop-cultural reality is an interesting novelty in Polish sociology, yet poorly considered and shaped empirically or methodologically. The main purpose of this article is to present essential characteristics of being a celebrity in Polish media. In this study, the celebrity has been presented using the example of a music journalist and TV show host - Kuba Wojewodzki. His behaviour, broadcasts and comments regarding others in the show business, have been taken into consideration and analysis. Categorisation is an important element in analysing the content of mass media and has been used in this article. All considerations were placed in theoretical frames of pop culture. The main purpose of this article is to answer the question which reflects the leading problem of this work. Hence, what are the characteristics of a celebrity and what are the social consequences from performing the celebrity role of in society and models of masculinity.

12

Glamour, charyzma, celebrity, iluzja – semantyczne uwikłania

63%

Strawińska A. B.

Białostockie Archiwum Językowe

|

2016

|

vol. 16

EN

The lexeme glamour is currently used as a keyword to describe various socio-cultural phenomena. First and foremost, the term glamorous is used to describe someone who is charming, physically attractive, alluring, sexy. It is often used to describe beautiful architecture and baroque interior design. The lexeme is also used in reference to dazzling fashion, luxurious cars, and even charming gadgets. Therefore, is often mistakenly associated with the world of celebrities. However, glamour is more than just external beauty, a created style, fake elegance, luxury, fame, or sex appeal. It may be the attribute of a person – making him or her exceptional, maybe even statuesque. It is something one is. Some people have the “gift” of glamour. Many simply create it for themselves. Because glamour offers the promise of life without mediocrity; it transports us away from everyday experience and makes our dreams seem accessible. Stereotypically glamour is treated as a kind of illusion typical of romance. Glamour and charisma often go together, but are not equivalent. The aim of the article is to revise the stereotypes connected with the lexeme glamour and charisma, celebrity and illusion of reality typical for romance.

13

Cyfrowa klepsydra. Internetowe przedstawianie śmierci znanych osób

63%

Chlebowski T.

Łódzkie Studia Teologiczne

|

2022

|

vol. 31

|

issue 2

125-144

EN

Information about the death has always aroused the interest of people. Especially when it concerned the death of famous people. From the very beginning, it was present in the media space of the live. Over time, oral information was replaced by obituaries in newspapers. Today this role has been taken over by the electronic instruments of social communication. The word „death” in the polish media usually appears in the context of the death of famous person, stars of public life, starting with stage music stars, art creators, athletes or politicians. This article shows the relationship of the medium of social communication, which is the Internet, to the phenomenon of death. The author presented the subject matter based on media reports about the death of three selected polish celebrities died in 2021. These were celebrity men from the world of media (Kamil Durczok), entertainment (Krzysztof Krawczyk) and sport (Artur Walczak). The final conclusions indicate the method of creating posthumous images of deceased celebrities. They show the role of the modern communication medium (Internet) in creating the image of a human being. They also emphasize the issue of journalistic ethics in relation to the topics related to the death of famous people.

14

Różne oblicza sławy. Młodzi celebryci o popularności

63%

Piotrowska A.

Relacje. Studia z nauk społecznych

|

2017

|

issue 4

161-175

PL

Autorka podejmuje próbę analizy wartości „sławy”. Niniejszy artykuł ukazał stosunek do sławy wybranych młodych celebrytów. Celem artykułu było ustalenie motywacji, które kierują młodymi ludźmi w dążeniu do sławy. Próbowano ustalić, czy sława była dla nich wartością samą w sobie, czy traktowali ją instrumentalnie. Materiał badawczy pochodził z wywiadów udzielonych przez celebrytów w różnych mediach. Analiza treści wypowiedzi pozwoliła pokazać, jakim zmianom podlegało podejście do sławy młodych osób robiących karierę medialną. Celebryci są szczególną kategorią, także dlatego że mają moc wzorotwórczą. Stanowią dla wielu, szczególnie młodych osób, postaci do naśladowania. Właśnie dlatego zwrócono uwagę na znaczenie, jakie przypisują sławie młodzi celebryci.

EN

The author attempts to analyze the value of “fame”. This article showed the attitude of selected young celebrities to fame. The goal of the article was to establish the motivation that drives young people to fame and to determine whether fame was for them a value in itself or if it was treated instrumentally. The researched material was gathered from the interviews with celebrities published in different media. The analysis of the aforementioned material allowed to present the changes in young celebrities’ approach to fame.

15

Zur sprachlichen Charakteristik der Presseinterviews mit Prominenten

63%

Duch-Adamczyk J.

Studia Germanica Gedanensia

|

2021

|

vol. 45

63-74

EN

The paper discusses the question of language of press interviews with celebrities from selected German tabloids. In contrast to interviews with politicians or experts, interviews with celebrities are mostly dedicated to private matters or often scandalous topics. This type of interviews also creates certain closeness to the reader. The aim of interviews with celebrities is selfpresentation and self-promotion to a certain extent. These factors are reflected in language implementation of the analysed interviews. The presentation of theoretical foundations follows language analysis of the selected interviews. Above all, interviews with celebrities are characterized by numerous reductions, informal and colloquial language, vulgar vocabulary, and a use of Anglicisms.

DE

Der Beitrag konzentriert sich auf die sprachliche Charakteristik der Presseinterviews mit Prominenten. Die untersuchten Texte stammen aus Online-Portalen der ausgewahlten Boulevardzeitungen. Im Gegensatz zu den Interviews mit Politikern oder Experten handeln Interviews mit Prominenten meist von privaten Angelegenheiten oder heiklen, oft skandalosen Themen. Sie dienen den beruhmten Personlichkeiten zur Selbstdarstellung, Selbstinszenierung oder Eigenwerbung. Sie stiften eine bestimmte Nahe zum Leser. Diese Faktoren finden Niederschlag in der sprachlichen Realisierung der untersuchten Interviews. Sie zeichnen sich vor allem durch zahlreiche Reduktionen, umgangssprachlichen, saloppen oder vulgaren Wortschatz und Einsatz von Anglizismen aus.

16

Zawód celebryta? cyberprzestrzeń płaszczyzną do uzyskiwania dochodów dzięki rozpoznawalności

63%

Garwol K.

Dydaktyka informatyki

|

2020

|

issue 15

33-55

PL

Artykuł podejmuje próbę odpowiedzi na pytanie, czy bycie celebrytą można uznawać za za-wód w świecie zawładniętym przez cyfrowe media. W początkowej części tekstu została przed-stawiona etymologia terminu „celebryta” oraz podano definicje terminu „celebryta” w odniesieniu do mediów tradycyjnych, takich jak telewizja czy prasa oraz do wirtualnej przestrzeni Internetu, gdzie celebryci nazywani są influencerami. Następnie przedstawiono, w jaki sposób osoby popu-larne mogą na swojej rozpoznawalności zarabiać, a także podano, jakie to są kwoty. Przedstawio-no rankingi najbardziej wartościowych, z punktu widzenia kampanii reklamowych, celebrytów. Przeanalizowano najpopularniejsze w Polsce profile osób działających w mediach społeczno-ściowych, w tym mające największe zasięgi konta na Instagramie czy najbardziej dochodowe kanały na YouTube. Omówiono pojawiające się tam treści i zasięgi związane z prezentowaną tematyką. Wyszczególniono najbardziej intratną w przestrzeni mediów społecznościową proble-matykę, która obejmuje tematy związane z modą, podróżowaniem, zdrowym stylem życia, luksu-sowymi produktami czy pokazywaniem swojego prywatnego życia przez osoby wykonujące za-wody związane z szeroko pojętym showbiznesem (m.in. aktorów, piosenkarzy, dziennikarzy). Podano przykłady osób z rodzin celebrytów, które same stały się popularne z racji tego, iż kojarzone są z osobą aktywną w przestrzeni medialnej (w tym dzieci celebrytów) i zarabiają w Internecie prowadząc swoje profile na portalach społecznościowych. Zwrócono uwagę na groźne zjawisko patoinfluencerów, którzy zyskują rozgłos prezentując w sieci treści związane z prze-mocą, stosowaniem używek, agresją, wulgaryzmami itp. W ramach podsumowania uznano, iż bycie współczesnym celebrytą/influencerem, można uznać za rodzaj wykonywanego zawodu, gdyż zarabianie na popularności pozwala na uzyskiwanie takich dochodów, które stanowią źródło utrzymania, a samo bycie celebrytą określa pozycję jed-nostki w społeczeństwie.

EN

The article attempts to answer the question whether being a celebrity can be considered as a profession in the world which is nowadays dominated by digital media. In the initial part of the text, the enthemology of the term “celebrity” is presented and the definitions of the celebrity are given in relation to traditional media, such as television or the press, and to the virtual internet space, where celebrities are called influencers. Then, it was presented how popular people can earn on their recognition, and what the amounts are. Rankings of the most valuable, from the advertis-ing campaigns' point of view, celebrities were presented. The most popular profiles of people presently performing in social media in Poland were ana-lyzed, including those with the largest Instagram account ranges or the most profitable YouTube channels. The contents and ranges related to the presented topics were discussed. The most lucra-tive social issues in the media space are listed, which includes topics related to fashion, travel, healthy lifestyle, luxury products or showing private lives of people who are related to broadly understood showbiz (including actors, singers, journalists). Examples of people from celebrity families are given, who have become popular due to the fact that they are associated with an active person in the media (including celebrity children) and earn on the internet by running their profiles on social networks. Also, the dangerous phenomenon of patoinfluencers, who gain publicity by presenting content related to violence, the use of stimu-lants, aggression, profanity, etc. was highlighted. As a summary, it was recognized that being a modern celebrity/influencer can be considered as a type of profession, because earning popularity allows to obtain such remuneration, which is a source of income, and being a celebrity determines the position of the individual in the society.

17

Trzy historie o celebrytach

51%

Wesołowski A.

Kwartalnik Historyczny

|

2019

|

vol. 126

|

issue 2

EN

Czy sława to wartościowy przedmiot badań historycznych, czy na zawsze pozostanie w domenie ekspertyzy specjalistów od marketingu? Historiografia sławy i celebrytyzmu, żywa w anglosaskim dyskursie akademickim, na próby odcięcia refleksji historycznej od problematyki sławy odpowiada stanowczym: nie! Poniższy tekst jest zbiorczą recenzją trzech prac dotykających wspomnianej problematyki, jakie ukazały się w ostatnim czasie. Recenzji towarzyszy również próba oceny, na ile dane prace reprezentują najsilniejsze prądy w dziedzinie. Is fame a valuable problem for historiography, or will it always remain in the domain of marketing experts? The English celebrity history, well-developed in the West, would react with a fervent refusal to any attempts at considering fame being thought ahistorical. This article is a review of three current works pertaining to the problem. Additionally, it attempts to determine whether a Polish historian can use its contents as fair examples of the current trends in celebrity history.

18

Rola mediów w kreowaniu wizerunku

51%

Czopek M., Chomont-Parzyńska D., Czerwińska D., Kołodziej M., Kudzia R., Morawska B., Ostrowska A., Szymkowiak A.

Zeszyty Naukowe Uczelni Jana Wyżykowskiego. Studia z Nauk Społecznych

|

2016

|

issue 9

rb.ujw.pl/social

PL

Wizerunek jest niezmiernie istotnym czynnikiem w obszarze kształtowania się relacji międzyludzkich. Na jego kształt wpływa wiele elementów o różnej sile oddziaływania. Pojęcie wizerunku nie jest czymś nowym, jednak w obecnych czasach, czasach multimediów, jego kształtowanie stało się bardzo istotne i często decyduje o sukcesie lub porażce zawodowej, politycznej czy biznesowej danego podmiotu. Wizerunek jest subiektywnym wyobrażeniem, jakie jednostka ma o danym obiekcie. Powstaje ono na skutek różnych działań (intencjonalnych i nieintencjonalnych). Media stały się narzędziem wpływającym na kreację wizerunku. Powstały i wykorzystywane są teorie, np. teoria porządku dnia, które poddają pod dyskusję wpływ mediów na opinię publiczną w kontekście pojawiających się problemów i ich hierarchii ważności. Teoria porządku dnia określana jest jako jedna z najistotniejszych koncepcji z zakresu komunikacji. Istotnym czynnikiem w kształtowaniu wizerunku jest również kontekst, w jakim informuje się o danym wydarzeniu lub podmiocie. To on ostatecznie nadaje podanej informacji pozytywny lub negatywny wydźwięk i tym samym kreuje w oczach odbiorców sposób spostrzegania i oceniania określonego wydarzenia lub podmiotu. W mediach zagościło również nowe zjawisko, które często bywa określane jako fenomen celebryty.

EN

influenced by many elements in different extent. Although the concept of image is not a new phenomenon, in present times of multimedia domination the question of forming it has become quite significant and has often decided about a professional, political or business success or failure of a given entity. Image is a subjective idea that an individual has of a given object. It is formed on the basis of different intentional and unintentional actions. The media have become an instrument which can influence the image creation. There have been developed and used theories, for example, an agenda setting theory, which discuss the influence of media on public opinion in context of the occurring problems and their priority of importance. Agenda setting theory is described as one of the most important conceptions in the field of communication. Context in which the information about the event or subject is given is a very significant factor. It is context that finally shapes the positive or negative sound of the information and thus creates the way of thinking and assessing a given event or entity in the eyes of the information receivers. The media have also become a home for a new phenomenon described as a celebrity.

19

Strategie mediów wobec uzależnionego artysty. Analiza tekstów o Amy Winehouse zamieszczonych na portalu Pomponik w latach 2008–2012

45%

Bazyluk B.

Łódzkie Studia Teologiczne

|

2022

|

vol. 31

|

issue 2

37-72

EN

The main aim of the article is to try to answer the question about the strategies used by the media towards an artist struggling with addiction. The text consists of three parts. The first one explains all the most important concepts related to the chosen topic. The methodological part presents a study to check how the media celebrates the addicted artist and lists the most important elements of this process. As part of it, twenty-four articles from the Pomponik gossip website about Amy Winehouse, a British singer struggling with addictions, were analyzed. The last part of the text presents the conclusions.

Refine search results

Postać celebrytki w operze: rozwiązła księżna i króliczek „Playboya”

Celebrytyzacja polityki – politycy i ich rodziny w „Twoim Stylu” i „Vivie”

Sukces typu instant – tożsamosc celebryty i celebutantki

Holistic Model of Celebrity Endorsement in Political Marketing

ATTITUDES TOWARDS DIFFERENT INFLUENCER CATEGORIES - EXPLORATION OF GENERATION Z

„ZWYKŁY” CZŁOWIEK A WSPÓŁCZESNA PRASA MASOWA

„Król popu nie żyje! Zapraszamy Państwa na spektakl”. Śmierć i umieranie w kulturze celebrytów

Celebryci i ich medialna moralność

Niekończące się śniadanie. Telewizja jako hipertekst

Johannes Paul II. – Papst der Medien. Eine Pastoral-Theologische Reflexion

Męskość w wersji „pop”, czyli jaki jest współczesny mężczyzna celebryta? Studium przypadku

Glamour, charyzma, celebrity, iluzja – semantyczne uwikłania

Cyfrowa klepsydra. Internetowe przedstawianie śmierci znanych osób

Różne oblicza sławy. Młodzi celebryci o popularności

Zur sprachlichen Charakteristik der Presseinterviews mit Prominenten

Zawód celebryta? cyberprzestrzeń płaszczyzną do uzyskiwania dochodów dzięki rozpoznawalności

Trzy historie o celebrytach

Rola mediów w kreowaniu wizerunku

Strategie mediów wobec uzależnionego artysty. Analiza tekstów o Amy Winehouse zamieszczonych na portalu Pomponik w latach 2008–2012